Standardized Hastasawanda Aesthetics in Dance Performing Arts

Authors

  • Maryono Maryono Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia https://orcid.org/0000-0003-1226-4057
  • Mamik Suharti Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia https://orcid.org/0000-0001-8221-2864
  • Cahyani Tunggal Sari High School of Economics (STIE) Semarang, Jl. Menoreh Utara Raya 11, Sampangan, Kec. Gajahmungkur, Kota Semarang, Jawa Tengah 50232, Indonesia https://orcid.org/0000-0002-7616-8964

DOI:

https://doi.org/10.15503/jecs2024.2.683.701

Keywords:

standardized, aesthetic, performing arts, dance, hastasawanda

Abstract

Aim. This research is important because so far the existing aesthetic concept of traditional dance is no longer able to accommodate thinking about aesthetic concepts holistically. The aim of the standardisation study of performing arts aesthetics is to form a new aesthetic theory that meets standards based on the principles of aesthetic values that develop in the performing arts genre.

Methods. This research article is based on qualitative research. The types of data and data sources and information were all obtained from the Hastasawanda aesthetic concept, dance aesthetic elements and Surakarta style dance performance documents. Data collection was carried out using library study and document study techniques. All data has been collected, classified, processed and analysed using the triangulation method.

Results. This study found the standard Nawasapada aesthetic theory which consists of aspects: pralambang, paraga, movement, pepaes, wewandan, piece, stage, furniture and pannyandra.

Conclusion. The novelty of Nawasapada's aesthetic theory is that it complements existing aesthetic aspects and becomes the basis for analytical tools in solving aesthetic phenomena in the performing arts in depth and openly. For this reason, it is hoped that this research will trigger future researchers to discuss it more sharply and in depth.

Downloads

Download data is not yet available.

Author Biographies

  • Maryono Maryono, Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia

    Education: S1, Dance, ASKI Surakarta; S2, Performing Arts & Fine Arts Studies and S3/Doctoral Program, Linguistics of Pragmatic interest UNS Surakarta. Now a lecturer at ISI Surakarta, the instructor: Dance Aesthetics, Dance Analysis & Research Methodology. Experts in the field of Performing Arts, especially the Gallant Dancers of the Surakarta Style. Best actor at the Wayang Orang Festival, Central Java 1991. The book works "Nawasapada Aesthetic Theory in Surakarta Style Traditional Dance" (2023), Dance Analysis (2015) & Pragmatic Genre  of Surakarta Style Pasihan  Dance (2010). The research that has been produced is "Aesthetic Theory of Traditional Dance in the Surakarta Style" (2022), "Pragmatic Deconstruction of the Story/Story of Ranggalawe Gugur in Langendriyan Performing Arts" (2023) & ongoing research "Inheritance of Bedhaya Dance: Problems of Aesthetic Transformation in the Present" (2024) & "Deconstruction of Bedhaya Murbeng Rat Dance in the Art of Bedhaya Dance Performance" (2024). Journal works published in: Greget ISI Sala, Gelar ISI Sala, Harmonia UNNES Semarang, Panggung ISBI Bandung, Mudra ISI Bali, Journal arts & Humanities IAFOR, Journal of Education Culture and Society, Poland.

  • Mamik Suharti, Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia

    Born in Kediri, January 1, 1960. Graduated from Karawitan Arts Academy (ASKI) in 1986. Graduated from the Masters Program in Performing Arts Craftsmen, Postgraduate Program, UGM Yogyakarta in 2003. Worked as a lecturer in the Dance Department of ISI Surakarta since 1987. Mamik Suharti has produced performance works such as the Sesaji Dance, Seblangan Dance, Gandrung Ritual Dance, and the Mangkok Lowong Mask Dance. Publications that have been produced include those entitled “Motivation Model Distortion Of Ramayana Ballet Performers” in the IJEBAR Journal, “Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia” in the Journal of Education Culture and Society, and “Form And Function Of The Buto Campursari Langling Horse Buana Village Tegalarum Banyuwangi” in the Greget Journal.

     

  • Cahyani Tunggal Sari, High School of Economics (STIE) Semarang, Jl. Menoreh Utara Raya 11, Sampangan, Kec. Gajahmungkur, Kota Semarang, Jawa Tengah 50232, Indonesia

    Graduated with a bachelor's degree in the Management Study Program at the Faculty of Economics, Atma Jaya University, Yogyakarta Indonesia. Graduated with a Master's degree in the Master of Management Program at the University of Jember and Graduated with a Master of Arts in the Study of Performing Arts and Fine Arts at Gajah Mada University, Yogyakarta. Currently, She is a permanent lecturer at the Sekolah Tinggi Ilmu Ekonomi Semarang. Now, she also studies in the Doctoral Program of Management in Satya Wacana Christian University, Salatiga, Indonesia. Actively writes in various scientific journals in the field of art management and economics. Some of the articles that have been published in reputable journal such as “Behavioral Finance: The Analysis Of Investor Behavior Based On Belief And Feeling And The Investor Rationality Towards Lq 45 Stocks” in the Investment Management And Financial Innovations Journal, “Learning Organization of Javanese Culture: A case study of Kasunanan Palace Museum in Surakarta” in the Journal of Social Sciences & Humanities, “SWOT analysis of art performance as city promotional strategy in Yogyakarta” and “Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia” in  Journal of Education Culture and Society and many others. Books that have been written include: Analytic Hierarchy Process (AHP) In Business Research and Financial Management Theory And Practice. She is also the Reviewer in the E-Bis Journal and some program from Ministry of Education, Culture, Research and Technology, Republic of Indonesia.

References

Al-Betawi, Y. N., Al Nassar, F. H., Al Husban, A. A., & Al Husban, S. (2020). Transformations in the built form as a reflection of social change, the case of apartment buildings in Amman. Open House International, 45(1–2), 143–171. https://doi.org/10.1108/OHI-04-2020-0005

Alhaq, M., & Agustin, S. A. (2020). Perancangan cerita, boneka karakter dan environment untuk serial teater boneka “Tangkupet” dengan mengangkat unsur identitas lokal Inodonesia [Designing story, puppet characters and environment for puppet theatre series ‘Tangkupet’ by raising elements of Indonesian local identity]. Jurnal Sains Dan Seni ITS, 9(1), 64-71. https://doi.org/10.12962/j23373520.v9i1.51985

Aliyev, A. (2021). The Novel as a Performing Art. Philosophia (United States), 49(3), 941–955. https://doi.org/10.1007/s11406-020-00277-4

Arora, P., & Vermeylen, F. (2013). the End of the Art Connoisseur? Experts and Knowledge Production in the Visual Arts in the Digital Age. Information Communication and Society, 16(2), 194–214. https://doi.org/10.1080/1369118X.2012.687392

Art, Eista (2020, April 7). Tari Anila Prahasta, ISI Surakarta Final Performance Exam [Video]. YouTube. https://www.youtube.com/watch?v=saJkZLmsq3A

Bergh, A., & Sloboda, J. (2010). Music and arts in action. Music and Arts in Action, 2(2), 2–18. http://www.musicandartsinaction.net/index.php/maia/article/view/conflicttransformation

Bucăţa, G., Popescu, F., & Tileagă, C. (2022). Digital Transformation of Higher Education System. International Conference KNOWLEDGE-BASED ORGANIZATION, 28(1), 158–168. https://doi.org/10.2478/kbo-2022-0025

Cahyaningtyas, A. (Photographer). (2011). The Gambyong Dance - performed by Widie Koentari [Photograph]. https://acahyaningtyas.wordpress.com/2011/01/22/the-gambyong-dance-a-small-intro/

Christensen, J. F., & Calvo-Merino, B. (2013). Dance as a subject for empirical aesthetics. Psychology of Aesthetics, Creativity, and the Arts, 7(1), 76–88. https://doi.org/10.1037/a0031827

Ford, V., & Mandviwalla, M. (2020). Can digital engagement transform the performing arts? Proceedings of the Annual Hawaii International Conference on System Sciences, 2020-January, 4296–4305. https://doi.org/10.24251/hicss.2020.526

Grondelaers, S. A., Hout, R. W. N. . Van, & Gent, P. Van. (2016). standard language Destandardization is not destandardization Revising standardness criteria in order to revisit standard language. TAAL EN TONGVAL, 68(2), 119–149.

Hastuti, B. B., & Supriyanti, S. S. (2015). Metode Transformasi Kaidah Estetis Tari Tradisi Gaya Surakarta. Panggung, 25(4), 356–367. https://doi.org/10.26742/panggung.v25i4.43

Howe, K., & Eisenhart, M. (1990). Standards for Qualitative (and Quantitative) Research: A Prolegomenon. Educational Researcher, 19(4), 2–9. https://doi.org/10.3102/0013189X019004002

Izenour, G. C. (2014). Building for the Arts. Building for the Arts, 7(4), 96–122. https://doi.org/10.7208/chicago/9780226099750.001.0001

Jager, J., Rauer, A., Staff, J., Lansford, J. E., Pettit, G. S., & Schulenberg, J. E. (2022). The Destabilization and Destandardization of Social Roles Across the Adult Life Course: Considering Aggregate Social Role Instability and Its Variability From a Historical-Developmental Perspective. Developmental Psychology, 58(3), 589–605. https://doi.org/10.1037/dev0001303

Komander, V., & König, A. (2024). Organizations on stage: organizational research and the performing arts. In Management Review Quarterly (Vol. 74, Issue 1). Springer International Publishing. https://doi.org/10.1007/s11301-022-00301-9

Locsin, R. C., Soriano, G. P., Juntasopeepun, P., Kunaviktikul, W., & Evangelista, L. S. (2021). Social transformation and social isolation of older adults: Digital technologies, nursing, healthcare. Collegian, 28(5), 551–558. https://doi.org/10.1016/j.colegn.2021.01.005

LovelyIndonesia. (2017). DANCE "WIRENG BUGIS KEMBAR” KASUNANAN PALACE SURAKARTA [Video]. YouTube. https://www.youtube.com/watch?v=41wL5fAXYQk&list=RDCMUC_cb1YxqCMlQQDJsyDIlBzQ&start_radio=1&rv=41wL5fAXYQk&t=0

Mróz, A., & Ocetkiewicz, I. (2021). Creativity for sustainability: How do Polish teachers develop students’ creativity competence? Analysis of research results. Sustainability (Switzerland), 13(2), 1–22. https://doi.org/10.3390/su13020571

N. D. (2022). Gambir Anom Dancer [Photograph]. https://javanologi.uns.ac.id/2022/02/03/javanologi-explore-gambir-anom/

N. d. (n. d.). Klana Sewandana Mask Dance - Surakarta Style (Photograph). https://kemlu.go.id/bangkok/en/pages/tari_topeng_klana_sewandana/3674/etc-menu

Pamardi, S., Haryono, T., -, R. M. S., & Kusmayati, A. M. H. (2016). Spiritualitas Budaya Jawa dalam Seni Tari Klasik Gaya Surakarta. Panggung, 24(2), 198-210. https://doi.org/10.26742/panggung.v24i2.118

Pariwisata Indonesia. (2022). Bedhaya Ketawang Dance [Photograph]. https://www.inews.id/lifestyle/film/tari-bedhaya-ketawang-sejarah-makna-pelaksanaan-dan-gerakan

Prayhogi, I. (2016). Penciptaan Video Musik dengan Materi Performance Art. Jurnal Seni Rupa, 4(02), 336–342.

Putra, I., Darmayasa, I. N., & Karma, I. (2022). Career level, gender bias, and fraud on ethical perceptions of accountant with love of money as moderating. Repositori Politeknik Negeri Bali. http://repository.pnb.ac.id/2703/3/RAMA_62301_1815644008_artikel.pdf

Rahman, N. V., & Aruan, E. M. (2019). Performing Art and Culture Center Hamdan. International Journal of Architecture and Urbanism, 3(3), 342–350. https://doi.org/10.32734/ijau.v3i3.3750

Santosa, I. (2007). Kajian Estetika dan Unsur Pendukungnya pada Keraton Surakarta. ITB Journal of Visual Art and Design, 1(1), 108–127. https://doi.org/10.5614/itbj.vad.2007.1.1.8

Sari, C. T., & Brm, S. T. (2017). Learning organisation of Javanese culture: A case study of Kasunanan Palace Museum in Surakarta. Pertanika Journal of Social Sciences and Humanities, 25(S), 115-120.

Sitharesmi, R. D. (2018). Bedoyo-Legong Calonarang karya Retno Maruti dan Bulantrisna Djelantik dalam perspektif hermeneutika Hans-Georg Gadamer relevansinya dengan estetika seni pascamodern [Bedoyo-Legong Calonarang by Retno Maruti and Bulantrisna Djelantik in the Perspective of Hans-Georg Gadamer's hermeneutics relevance to postmodern art aesthetics] [Doctoral dissertation]. Universitas Gadjah Mada Yogyakarta. Gadjah Mada University.

Suharti, M., Sari, C. T., & Maryono. (2023). Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia. Journal of Education Culture and Society, 14(1), 480–490. https://doi.org/10.15503/jecs2023.1.480.490

Sukmayadi, Y., & Masunah, J. (2020). Organizing Bandung isola performing arts festival (Bipaf) as a market of innovative performing arts in Indonesia. Harmonia: Journal of Arts Research and Education, 20(1), 47–57. https://doi.org/10.15294/harmonia.v20i1.24380

[Untitled photograph of Sirimpi dance]. (2020). https://pariwisataindonesia.id/headlines/tari-serimpi/

[Untitled photograph of Karonsih dance] (2014). https://dgchenna.wordpress.com/2014/04/05/tari-karonsih/

UPT Audio Visual ISI Surakarta (2019, October 23). ENDAH Dance by S. Maridi [Video]. YouTube. https://www.youtube.com/watch?v=AxD7c-SpurE

Warisan Budaya Tak Benda Indonesia. (Photographer). (2020). Bedhaya Duradasih (Tari) [Photograph]. https://warisanbudaya.kemdikbud.go.id/?newdetail&detailCatat=10449

Whitford, W. G. (1924). The problem of differentiation and standardization of art work in modern high schools. The School Review, 38(4), 811–845.

Xiao, Y., Wan, Y., & Xue, C. Q. L. (2019). Performing arts buildings in Taiyuan: Cultural history buildings in a second-tier Chinese city. Frontiers of Architectural Research, 8(2), 215–228. https://doi.org/10.1016/j.foar.2019.03.007

Downloads

Published

2024-09-25

How to Cite

Maryono, M., Suharti, M., & Sari, C. T. (2024). Standardized Hastasawanda Aesthetics in Dance Performing Arts. Journal of Education Culture and Society, 15(2), 683-701. https://doi.org/10.15503/jecs2024.2.683.701