Standardized Hastasawanda Aesthetics in Dance Performing Arts

Authors

  • Maryono Maryono Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia https://orcid.org/0000-0003-1226-4057
  • Mamik Suharti Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia https://orcid.org/0000-0001-8221-2864
  • Cahyani Tunggal Sari High School of Economics (STIE) Semarang, Jl. Menoreh Utara Raya 11, Sampangan, Kec. Gajahmungkur, Kota Semarang, Jawa Tengah 50232, Indonesia https://orcid.org/0000-0002-7616-8964

DOI:

https://doi.org/10.15503/jecs2024.2.683.701

Keywords:

standardized, aesthetic, performing arts, dance, hastasawanda

Abstract

Aim. This research is important because so far the existing aesthetic concept of traditional dance is no longer able to accommodate thinking about aesthetic concepts holistically. The aim of the standardisation study of performing arts aesthetics is to form a new aesthetic theory that meets standards based on the principles of aesthetic values that develop in the performing arts genre.

Methods. This research article is based on qualitative research. The types of data and data sources and information were all obtained from the Hastasawanda aesthetic concept, dance aesthetic elements and Surakarta style dance performance documents. Data collection was carried out using library study and document study techniques. All data has been collected, classified, processed and analysed using the triangulation method.

Results. This study found the standard Nawasapada aesthetic theory which consists of aspects: pralambang, paraga, movement, pepaes, wewandan, piece, stage, furniture and pannyandra.

Conclusion. The novelty of Nawasapada's aesthetic theory is that it complements existing aesthetic aspects and becomes the basis for analytical tools in solving aesthetic phenomena in the performing arts in depth and openly. For this reason, it is hoped that this research will trigger future researchers to discuss it more sharply and in depth.

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Author Biographies

  • Maryono Maryono, Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia

    Education: S1, Dance, ASKI Surakarta; S2, Performing Arts & Fine Arts Studies and S3/Doctoral Program, Linguistics of Pragmatic interest UNS Surakarta. Now a lecturer at ISI Surakarta, the instructor: Dance Aesthetics, Dance Analysis & Research Methodology. Experts in the field of Performing Arts, especially the Gallant Dancers of the Surakarta Style. Best actor at the Wayang Orang Festival, Central Java 1991. The book works "Nawasapada Aesthetic Theory in Surakarta Style Traditional Dance" (2023), Dance Analysis (2015) & Pragmatic Genre  of Surakarta Style Pasihan  Dance (2010). The research that has been produced is "Aesthetic Theory of Traditional Dance in the Surakarta Style" (2022), "Pragmatic Deconstruction of the Story/Story of Ranggalawe Gugur in Langendriyan Performing Arts" (2023) & ongoing research "Inheritance of Bedhaya Dance: Problems of Aesthetic Transformation in the Present" (2024) & "Deconstruction of Bedhaya Murbeng Rat Dance in the Art of Bedhaya Dance Performance" (2024). Journal works published in: Greget ISI Sala, Gelar ISI Sala, Harmonia UNNES Semarang, Panggung ISBI Bandung, Mudra ISI Bali, Journal arts & Humanities IAFOR, Journal of Education Culture and Society, Poland.

  • Mamik Suharti, Faculty of Performing Arts, ISI Surakarta, Jl. Ki Hajar Dewantara 19, Jebres, Kec. Jebres, Kota Surakarta, Jawa Tengah 57126, Indonesia

    Born in Kediri, January 1, 1960. Graduated from Karawitan Arts Academy (ASKI) in 1986. Graduated from the Masters Program in Performing Arts Craftsmen, Postgraduate Program, UGM Yogyakarta in 2003. Worked as a lecturer in the Dance Department of ISI Surakarta since 1987. Mamik Suharti has produced performance works such as the Sesaji Dance, Seblangan Dance, Gandrung Ritual Dance, and the Mangkok Lowong Mask Dance. Publications that have been produced include those entitled “Motivation Model Distortion Of Ramayana Ballet Performers” in the IJEBAR Journal, “Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia” in the Journal of Education Culture and Society, and “Form And Function Of The Buto Campursari Langling Horse Buana Village Tegalarum Banyuwangi” in the Greget Journal.

     

  • Cahyani Tunggal Sari, High School of Economics (STIE) Semarang, Jl. Menoreh Utara Raya 11, Sampangan, Kec. Gajahmungkur, Kota Semarang, Jawa Tengah 50232, Indonesia

    Graduated with a bachelor's degree in the Management Study Program at the Faculty of Economics, Atma Jaya University, Yogyakarta Indonesia. Graduated with a Master's degree in the Master of Management Program at the University of Jember and Graduated with a Master of Arts in the Study of Performing Arts and Fine Arts at Gajah Mada University, Yogyakarta. Currently, She is a permanent lecturer at the Sekolah Tinggi Ilmu Ekonomi Semarang. Now, she also studies in the Doctoral Program of Management in Satya Wacana Christian University, Salatiga, Indonesia. Actively writes in various scientific journals in the field of art management and economics. Some of the articles that have been published in reputable journal such as “Behavioral Finance: The Analysis Of Investor Behavior Based On Belief And Feeling And The Investor Rationality Towards Lq 45 Stocks” in the Investment Management And Financial Innovations Journal, “Learning Organization of Javanese Culture: A case study of Kasunanan Palace Museum in Surakarta” in the Journal of Social Sciences & Humanities, “SWOT analysis of art performance as city promotional strategy in Yogyakarta” and “Gandrung Sewu Festivals: The Transition from Ritual Dance to Tourism Dance in Banyuwangi Indonesia” in  Journal of Education Culture and Society and many others. Books that have been written include: Analytic Hierarchy Process (AHP) In Business Research and Financial Management Theory And Practice. She is also the Reviewer in the E-Bis Journal and some program from Ministry of Education, Culture, Research and Technology, Republic of Indonesia.

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Published

2024-09-25

Issue

Vol. 15 No. 2 (2024): Journal of Education Culture and Society

Section

EXPRESSION

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Copyright (c) 2024 Maryono Maryono, Mamik Suharti, Cahyani Tunggal Sari

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How to Cite

Maryono, M., Suharti, M., & Sari, C. T. (2024). Standardized Hastasawanda Aesthetics in Dance Performing Arts. Journal of Education Culture and Society, 15(2), 683-701. https://doi.org/10.15503/jecs2024.2.683.701